Category Archives: General

Grace for Mighty Milo!

There’s nothing like a baby to rally people to a cause, and that’s a darn good thing. I’m here to tell you about “Mighty” Milo, the grand-nephew and grandson of two friends of mine who was born with a serious heart and tracheal condition on May 16. In his little more than two weeks of life he’s undergone open heart surgery among other things, and has been slowly weaning off the “ECMO” life support machine. His parents haven’t been able to hold him since he was 4 days old. BUT, he’s a fighter! And he’s got people fighting and praying and loving for him all over the place. He gets stronger every day.

Nonetheless, his parents have taken time off from their jobs to be with him, as have his grandparents and many other family members, as every precious minute they get with him is important. Babies respond to the sounds of their loved ones, and Milo needs them.

To support the Mighty Milo Fund, I’m donating $1/book for every copy of Forged in Grace, which is, coincidentally, a book about healing wounds, that any of you buy, paperback or e-copy. Between now and June 30th, I make that pledge.

So you can support Milo by spending a few bucks on a good book, or you can donate directly to his fund.

Many thanks for your support. Please share the word.

Jordan

An Inventory of Things On My Desk: A Meditation

Four cups—3 coffee, 1 wine glass

Two computers—1 tablet, 1 netbook

A bag of asthma inhalers

A weighty copy of my rarely-cracked Chicago Manual of Style

My bra, flung off for sudden relief last night

A cottonball “lamb” made by my son

A hardcopy of the manuscript I was going to revise, but changed my mind

A box of Mary’s gluten-free crackers, going stale, if that’s even possible

Zinc lozenges, half-melted

The new journal, black & gold, which I’m almost ready for

A purse I no longer carry

A plant

A silver framed photograph of my great-aunt Margaret, the writer, who died gruesomely at age 21 (decapitated) in a train accident

My brother’s 10 year old poetry

A red Mardi-Gras mask

Copies of my books

Unsent cards

Sunglasses; I’ll wonder where they’ve gone when I’m next in the car

What’s on yours? Share with me!

photo (24)

My Enlightened Booty

This blog first appeared at Indie-Visible as part of the My Big Mouth column.

The older I get the more convinced I am that I should be making significant, chartable spiritual progress, especially as I was raised without religion and have yet to adopt one (unless you count occasional psychic reading/shamanic clearing/energy workshops pursued in my twenties). My friend Alegra calls my evolution “consistent, erratic progression.”  But the more I try to find myself spiritually, the more I’m drawn into the world of my body, which almost all traditions agree means the least in the final pass to the Great Beyond.

You can’t take it with you.

But you can shake its booty to pop music.

That’s right, it’s in my exercise classes–a hybrid of hip-hop and world dance styles–taught by one of my besties, Suzi, her purple hair flying, her torso flexing in three different directions at once, that I feel most “at one” with myself.

I used to hate pop music—synthetic beats, syrupy lyrics, because I was still a yearning poet-soul full of Deep Dark Meaning that needed expression (best done wearing black, while artfully scribbling into huge journals).

So I spent three decades expressing it. But two years after my son was born (he’s 4), my body then melted into a lethargic mass of breastfeeding and sleep deprivation, toddler babble and kid-song, these new voices in class began speaking to me in breathy falsettos set to bass beats; they sang about love-at-first-bar-sighting and freaks in da club. The bass thump matched my heartbeat and stirred parts of me that had always felt coltish and goofy into an illusion of competence.

My body and I have always had an awkward relationship. To wit: I have calves carved out of matchsticks, and a boy I had a mad crush on in sixth grade once called me “tic-tac-tits.” Out loud. In a classroom full of my peers.

The only avenue of my enlightenment I’ve managed to walk since middle school is the understanding that most of what we think matters about our bodies, matters to no one but ourselves. And most of the time we think we are making a fool of ourselves, others are enviously looking on wishing they had the courage to do the same or not care what others think.

Pop music, and the dance classes I’ve found it in, has freed me. When I come away from class, I’m clear, baby—strangely free of the troubles and insecurities that lock themselves into my limbs, making me graceless and dorky.

Because of this newfound liberation I’m proud, not embarrassed, to have been caught mid crotch-thrust on the latest front page of my small town newspaper doing a flashmob to a Korean pop song.

My body may not bring me any rewards in the Great Beyond, but in the Here, Right Now, I’m learning how to dance (Gangnam style).

(Photo Credit: Lora Schraft, Morgan Hill Times.)

One Thing at a Time

I often read two books at a time: one on my kindle, one in hard copy—their different tones competing for space in my head. I almost always work on more than one freelance project in a given week, and really, most of the time, I’m gnawing on multiple pieces of my own fiction. To be really honest, I often have my phone, my kindle and my laptop all spread out on the couch before me in the wee hours before my son wakes.  And  how many times do I find myself toting a child who is really too old to be carried anymore, a shopping bag, my purse, and a sweaty brow?

Imagine what our lives would be like if we did only one thing at a time?

For 2 weeks my three year old is home from his usual routine of 4 days of pre-school. I thought that I would be harried, overwhelmed, annoyed. And there is, I cannot lie, a definite sense of not having enough “me time.” But honestly? When all there is to do is focus on being his mom, and there’s not enough time to worry about work or writing, then I simply don’t worry about them. Strangely,  just being his mom actually is a lot easier when I let go of my attempt to also work and write.

And in those wee hours before he wakes, I do write or work, and relish in the peace of being able to focus.

What would it be like to focus on one thing, one aspect, one goal for your writing this year? Maybe even just an intention for it: like learning to write crisp, tense dialogue; or committing to writing every day. Or something more nebulous: to write only work that makes YOU happy. And what about every time you sat down to work on it, you did not try to hold the whole thing in mind, but focused on only one aspect: one scene, one conversation, one powerful description of a setting, one free flowing moment of words streaming on the page?

Though I suppose it is unrealistic for us to do only one thing at a time in most aspects of our lives, I encourage you, exhort you even, to try it when and where you can. In your material world, and in the world of your words.

Let’s make 2012 be the year we do things slowly, carefully, patiently. Play with our children wholeheartedly. Feel our feet on the earth. Read every word in a book. Write as though there is absolutely nothing else pulling on you.

Happy almost New Year

Look for my new classes in 2012: Plot Intensive, and Novel Intensive

Call Me Coach

Despite the bad rap that comes with the title, as a kid I always wanted to be teacher’s pet. Not just for the praise; it seemed that to get more time with one’s teacher was to be closer to the source of learning itself—and I was a Hungry Learner.

It’s from this standpoint that I approach writing coaching. I’ve been doing it for years now, but calling it something else (editing). Fact is, the hungry learner inside me has an alter-ego known as the Eager Teacher. Each year that I edit more writers’ manuscripts I learn more about how hungry writers are, too, to write the best material they can write, to imbibe and learn the craft on a level that a writing guide can’t provide alone, or when a college course is too expensive.

I am not the kind of coach who will have you read affirmations or help you manage your time (both of which are wonderful and necessary, don’t get me wrong). What I am is your own individualized teacher—listening with rapt attention to your struggles with writing, and then turning around and crafting lessons and strategies specific to YOU and your individual needs as a writer. I’m a lifeline and a sounding board, too, for when your ideas are stuck or frustration has you caught.

My coaching is, essentially, your chance to be teacher’s pet, to be in the Master Class of You,  designed for you, shaped by you, and constantly open to alterations by you.

Think it’s right for you? Here are my packages (this info will soon go up on the Editor/Coach page):

Coaching Packages:

In general, each week of a coaching cycle consists of: 1 lesson, with 1-2 assignments applied to either a work-in-progress or new material, individualized review and critique of the work turned in, and a follow up coaching call by phone or skype. Schedule can be modified to meet your personal needs.

Coaching Package #1: The Starter
4 hours, $250
1-2 lessons
up to 5,000 words edited
2-30 minute coaching sessions (or 1 hour)

Coaching Package #2: Getting Serious
8 hours, $425
3 individualized lessons
up to 10,000 words edited
4-30 minute coaching sessions (or 2 hours)

Coaching Package #3: The Next Level
12 hours, $650
5 lessons
up to 20,000 words edited
8-30 minute coaching sessions (or 4 hours)

Coaching Package #4: The Commitment
24 hours, $1225
8 lessons
up to 40,000 words edited
16-30 minute sessions (or 8 hours)

Coaching by the hour is another option.

Please use the “contact” form at top to inquire about getting started!

Turn Inward: Make Your Own Noise

It’s been awhile since I’ve presented my Reasons To Write series…mostly because I have been writing and working and a lot of other things, so it’s good.

But lately I’ve been feeling the strain of information again upon me—the strangely addictive cycle of spending lots of time on Facebook, reading my tweetstream, getting most of my news, and lots of interesting articles on the arts, even reading books online or on my SmartPhone. After too much of this, I begin to feel like Gulliver attacked on all sides by Lilliputians, pulling on me, tugging me down and in so many directions that even when I’m really doing nothing, I feel tired. I can feel my synapses beginning to hold up protest signs demanding time off.

And this brings me to one of my favorite reasons for writing: to realign, to pull ourselves back together at the seams, collect up all the crumbs of ourselves that the digital ants have carried away.

Creative writing calms our brain waves, brings us closer to that state we enter in dreams and meditation—part trance, part hyper-focus, I don’t know too many writers who can write AND do other things at the same time. Writing requires a profound turning inward, harvesting from the world inside, rather than being at the mercy of the external world.

I think writing is one of the most valuable things any person who also feels swept away in the slipstream of information can do for your brain. As important as making sure to get up and stretch after sitting too long, or exercising, eating healthy and sleeping.

I’m not naïve enough to tell anyone to turn it off, go live in a mud hut in the woods and live off the land, much less to reduce the amount of time you spend swirling in the online clutch, nor; instead I say: turn up the volume on your writing. Make your own noise!

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Check out my online writing classes: www.jordanrosenfeld.net/online-classes/

To Thine Own Self…

I had the great fortune to be a presenter this past weekend at the Central Coast Writer’s Conference in Morro Bay. It’s a funny thing to be a presenter in the years since my book Make a Scene was published. I’ve been an attendee plenty of times, and like many of you I am still on the hard scrabble journey to publish my fiction, even though I’ve published two non-fiction books, short stories, and articles. There’s this invisible line that exists in the minds of the non-published…they are on one side of it, and you the published people, on the other, more hallowed side of it, and thus are somehow “better.” I’ve never liked these kinds of lines, and when I wasn’t published, was always eager to worm my way over that line into the hearts and minds of those writers. I knew, intuitively, logically, that they were just people like me.

Published writers, are, in fact, just people. They are not magicians, though they may write like it. They are not above you, though they may act like it.

And this conference was a wonderful example of the published writers blurring that line as much as possible to make the aspiring writers feel included. And the best advice I heard all weekend seemed to fall into a category that I will sum up as “To thine own self be true.”

Yes, please work on your craft and master the basics of writing. Read the masters, and those in the genres you write, and hobnob and shmooze and get feedback. Do the “chop wood, carry water” aspects of the craft because it’s the only way to get there. But above that:

Write because you love it.

Write WHAT you love.

Write to tell yourself a story–and then make it so good that others will want to hear it too.

Publish your own work if you feel that you can better reach an audience, or more immediately.

Publish your work so that you can have a feeling of achievement and meaning in your life.

Get an agent, and seek publication through mainstream channels.

In other words: DO what is right for YOU.

Don’t listen to the voices out there that tell you to be otherwise.

Take advice to heart. Listen to criticism with an open ear.

But Write what makes you happy to be writing it, day in and day out.

What Slug-Bug Can Teach You About Writing

Have you ever played the game “slug-bug”?  You know, on a long road trip with a sibling or a friend, every time you see a Volkswagon Bug (or whatever your vehicle of choice), you have to punch your friend on the shoulder? And how, after awhile, your arm all tensed up waiting for the sting of that fist on your shoulder-meat, it seems like all you see on the road are VW bugs? Okay, so maybe your car pasttimes were more civilized, but here’s where I’m going to make this about writing…

Being a writing coach, I hear a lot from my clients on their bad days…how far from done they feel, how much they think they have to learn, how hampered they are by certain habits (and frankly I’ve indulged plenty on my own bad days). And I get it–it’s tough. I tell people all the time that if you don’t HAVE to be writer, by all means, take up a profession that is more forgiving to the ego. But I can verify from my own unwitting experiments that the more you tell yourself it’s hard, just like the road on my childhood trips became strangely populated by VW Bugs, the harder it is going to be.

So if you continually say to yourself: “I’m stuck. I can’t move forward.” Indeed, mired you will stay. If you insist, “I just can’t make enough time for my writing,” then, once again, say it with me now: You will not write.

But I’m also savvy to how fierce those little voices can be. And so I will not suggest you radicalize your negative writing voices overnight. All I ask is that you try one little exercise.

Identify what is holding you back in your writing right now. The biggest thing, be it time or your sloppy understanding of point of view. Maybe you’re a perfectionist who can’t move forward until you move ten steps back, correcting and honing a sentence (that may eventually die anyway). Whatever your poison, write it down, with a real pen, on actual paper.

Mine: “I don’t have enough time.”

Now, this one little thing, this annoyingly big holdback, for only ONE WEEK, act as if this holdback is not true. That means, if point of view is your stumbling block, THIS WEEK ONLY (but you can continue if you like), you are not allowed to be hampered by it. This week, you screw the point of view judges and write however the heck you want to. OR! You spend an hour at the library brushing up on Point of View. OR! Change your point of view. Whatever it is that’s holding you back this week ISN’T. That’s what you’re telling yourself. Just for a week. Stuck at a point in your manuscript? MAKE UP A DIRECTION. You’re not married to it. Just fake it.

Weigh in here. For me? I’m going to go to bed early (a radical idea!) two nights this week so I can rise two mornings early, before my son, and write. Time created, where there was none before.

Remember, too, that Revise for Publication starts September 25th…A class full of useful revision tips and strategies–and live chat discussion (non mandatory). 6 weeks. You can still get the earlybird discount! REGISTER HERE

Soft Landing

I think of the old adage: “sticks and stones can break my bones, but words can never hurt me.” As a writer, I know how untrue this is. Words are at best, beauty, and at worst, weapons. We often wield them clumsily. When fueled by emotion they are often the most painful sort of cudgels and knives, driving into the soft spots inside us, opening up our wounds.

And yet, no matter how many times my words have failed me, or been turned against me, or others’ words have come splintering out of the silence in sharp and unexpected shards, I still turn back to them time and time again.

Those of us driven to understand use words as our tools of discovery. Some people have the visual or kinesthetic gifts to channel their thoughts and feelings into paint or movement. But we writers write.

Yesterday, another’s words took me by surprise, flayed me open, and left me a raw, vulnerable creature, cowering and looking for a shell. And somewhere, at the bottom of my grief, I felt this tiny gleam of warmth, of hope…that I could write about my sorrow, if not in full detail, then at least in the form of a story, or a journal page. And that gave me surprising comfort. For through the hard years of my early life, when nothing made sense, when there wasn’t a lot of comfort, writing was always there for me. My own words, reflected back on the page, kept me afloat.

Your writing may be your art and your craft but I hope that you will remember your writing is also a place to land softly, a harbor, a nest. It will never fail you if you always turn back to it.

*A note on the image…This beautiful painting captured exactly the feeling I was striving for–of our youngest self, that part always alive in us below the adult conscious mind, being safe and supported, and enchanted by writing.

The Thousand Things

On the phone with a writing client today I say, “It’s a crazy week,” and he laughs knowingly.

“It’s always a crazy week,” he says. I can’t read his tone. Is he chastising me?  It does seem that I say this to him each week during our standing appointment. Is this his impression of the person he’s hired to “coach” him through seeing his manuscript through to publication? “It’s always crazy, for everyone,” he amends, but somehow I still feel guilty.

The day spins out like a yo-yo flung too far and gone slack. I’ve finished several critiques and a book review on time and suddenly it’s time for the one truly luxurious part of this day, of the month: a trip to get lunch and pedicures with dear friends, if only I can get out the door–already thinking ahead to the after-pampering plans. The last time I let someone pamper me like this was the morning of my wedding, nearly 12 years ago. I am not in the habit of stopping, resting. Resting is the thing I do at night, when my body crashes against the waiting cup of my bed.

The pedicure is a blur of lovely sensations–warm water on my toes, strong hands on the tender points of my soles; a massaging chair that shimmies like I am crushing a small person, making us laugh; even the act of cutting away the calluses feels good, restorative, like dead hours shaved away. And the slick red paint that I never bother to apply myself reveals ten little shiny reminders that there are feet somewhere below my head, the tiny little fort of brain matter where I am tucked away most of the day, forgetting about the hard packed earth that holds me up.

Then there is a rushed hurry to get my son on time from daycare, a burst of arms and bared teeth as he explodes toward me the moment I enter the room, and I remember that we parted this morning in frustration with each other over limit testing and not listening. I gather his towheaded sweaty boy sweetness into my arms and kiss him all over his face, and tuck him into the car, stop by the store, make it home to begin dinner early so I can make it to an evening exercise class.

And somewhere between the fresh gleaming raspberries gathering an inedible dusting of sand from his sandbox, and the lasagne noodles boiling into a mass of glutinous rectangles I can’t do anything with, and speaking for 15 minutes to my producer at the radio station where I have been slogging through a book commentary I hope to record while my son peppers me with questions about the baby who was temporarily kidnapped yesterday, and remembering to drain the spinach I set in the sink,  rescuing my son from the top of his play structure, making sure he doesn’t have an accident on the living room floor, calling the auto mechanic who never called me back, fielding a tantrum borne of disallowing television…a big rush of air leaves my lungs and I find myself slumping to the floor of my kitchen,  broom in hand, task abandoned.

Here, the cold of the linoleum pressed against my bare calves is jarring and enlivening, a cool, hard contrast to that watery womb I soaked in earlier. I never was very good at switching channels–a child who was forced to go back and forth between her parents’ houses weekly until I was 16–I hate this zig-zagging energy of moving from one thing to another. And yet…that is how my life moves, how children move,  how a freelancer’s business moves.  But sometimes, in the spaces between the thousands of things, thousands of harmless and normal activities of a day, I feel as though I am a creature made of steel being asked to bend like rubber. I feel as though I will crack under the strain of constant shifting.

I wiggle my red painted toes. In a few minutes I’ll be stuffing them into tennies and we’ll be heading out to an exercise class, an hour of another kind of motion, one that seems to help keep my disparate parts from turning into useless jelly, gives me fortitude to keep up the bustle.

But in this moment I don’t want to put on my shoes, or move off the floor, or do anything but listen to the sound of my son talking to his toys in his sandbox outside, even though I know in a moment I’ll have to run out there and pluck stickers from his socks, or brush sand off his snacks.

Right now, I am still. Right now, stillness is perfect.