Writing. Practice. A writing life is one of practice, persistence, and polishing.

Currying Favor: Amazon Breakthrough Novel Award. Forged in Grace.

No one said that writing, or rather, receiving feedback would be easy. A writer who wants to submit anywhere, from literary journals to agents/publishers, has to grow the thickest of skins. I grow layer after layer of those gummy membranes that form on your hot chocolate after too long–not really an armor, and sometimes, the membrane rips, but I always grow a new one.

So I’m here to ask for the public, with its sometimes bloodthirsty desire to weigh in and pass judgment, for a favor.

My novel, Forged in Grace, has made it through to the quarter-finals in the Amazon Breakthrough Novel Award, 2013. That means in my category of General Fiction, out of 1,000 entrants, I am one of 100 finalists.

Now it is in your hands to help us get to the finals. It’s a powerful feeling isn’t it? If you’d like to help Forged in Grace win, please go here to download and review the excerpt. You don’t even have to read the whole book (though I’ll be grateful if you do).

My dreams are in your hands!

With deep gratitude,

Jordan

Baby Steps of Success: Writers, Claim Everything

In the life of a writer I’ve learned that you must count all successes, no matter how small. There was a time I saved those “personalized” rejection letters because it meant an editor had taken the time to tell me what could be better, or what they had liked.

I also used to keep a notebook when Becca Lawton and I were writing Write Free: Attracting the Creative Life, of anything that even remotely smacked of success: a stranger commented on a blog post; an editor agreed to look at an article on spec; my writing teacher didn’t hate my story. You know, anything that made me feel slightly proud or happy about my efforts.

That strategy has kept me going for years in the dark times, through the inevitable and rough patches of disappointment and despair. It’s a gentle, loving way to take care of yourself. If the only success you ever count are the big ones, you may only ever have a few things in a lifetime to feel good about.

Baby Steps of Success Checklist:

1. Post positive feedback where you can see it daily

2. Keep a “baby steps of success” notebook and write down anything that makes you feel good about your efforts

3. Ask writing partners and friends to tell you what they like about your writing, what your strengths are

4. Spin rejection. Ask–what’s the lesson here? What can I do better, differently?

5. Proclaim! Share with others when you have a success. Let yourself be cheered and championed by those who love and admire you.

I’ll share one of mine with you that’s actually a little bigger than my usual baby success. My novel, Forged in Grace, made it through 1,000 submissions in the Amazon Break Through Novel Award to be one of 100 quarter-finalists. Share one with me! 

Scenes are in the Senses

Writers often ask me how to know when you’re writing a scene, as though it’s some blizzard of words one might find oneself frozen in. Honestly, recognizing (and thus learning to write) a scene is a lot like life:

You’re in a scene when:

There are sensory impressions being taken in by the characters in a simulation of real time

Say what?

We know the world through our senses. We touch it, wear it, feel it, hold it, smell it, embrace it, possess it. And when we’re doing those things, we are engaged in some kind of action. It requires movement to reach out and slap a person for impropriety; it takes time to walk away from a lover for the last instance; characters move through space to embark upon an adventure.

Thoughts float freely through space and time–they don’t necessarily happen in any moment, and you can’t necessarily smell or taste or feel them. Similarly with narrative exposition–it comes disembodied through an omniscient bullhorn that we can neither see nor grasp.

If you aren’t using the senses: sight, smell, touch, taste, hearing, you aren’t writing scenes. And if you’re under-utilizing the senses, you may be writing flat scenes that limp your story along.

For more on scenes, check out Make a Scene: Crafting a Powerful Story One Scene at a Time

Crossing Paths: On Meeting Christina Mercer, Breast pumps and healing wisdom

Editing clients come to me from all different sources–many online, lots who’ve read my book Make a Scene, but on rare occasion, I meet a client in person. I’ll never forget where I met the subject of today’s special post, the lovely Christina Mercer, author of the forthcoming Arrow of the Mist, at the East of Eden Conference in 2008, for several reasons. For one, I was a first-time mother with a three-month old baby, and this was my first full day away from him. As I was also a breastfeeding mother whose voracious and chubby infant ate every 2-3 hours, this posed a certain challenge, namely: I had to bring a breast pump with me to an enormous writing conference with only two small bathrooms for several hundred people.

It was also an unseasonably warm day in Salinas, California, and if there are two things that don’t go well together it’s breast pumps and sweating. Not only that, but my baby was not exactly sleeping through the night, so I was there to deliver two hour-long presentations through a fog of sleep-deprivation and hormone bursts. I was, to say the least, terrified. I will not soon forget the way someone pounded on my bathroom stall after ten minutes and then muttered a grumpy, “Jeez, some of us really have to pee!” while I stayed mute in my stall, hand paused on the handle of my manual pump, biting my lip against the pain hopeful that they would not figure out that it was the lady scheduled to present in a half hour hogging the toilet.

But fate was kind to me that day: it brought into my circle Christina and her beautiful book, Arrow of the Mist, about a land poisoned by a strange vine that is attacking and making its people ill. Her  determined young heroine, Lia, with her powerful knowledge and intuition of herbs, must set out to save the day. I instantly connected with Christina’s voice and sensibility, her work full of symbols and mythology, of arcane knowledge that our ancestors must all have possessed once upon a time, and her lyrical prose.

And I’m so grateful that my disheveled and harried state of new motherhood didn’t scare her away, because our paths would cross again when we formed Indie-Visible.com. We are so excited to be part of Arrow of the Mist’s publishing journey.

Here are Christina’s answers from The Next Big Thing:

What is the working title of your book?

ARROW OF THE MIST. Publication date, March 21, 2013.

Where did the idea come from for the book?

The seed-thought for this book took root a little over seven years ago, though elements of the story have lived within me since childhood. It started out as a short story meant for a much younger audience, but kept on growing and developing into the novel for teens it is today. My formal studies in alternative healing and my informal studies in mythology inspired the world and facets of magic woven throughout the story.

What genre does your book fall under?

Young Adult “YA” Fantasy

Which actors would you use to play your characters in a movie rendition?

Bella Thorne as Lia
Alex Pettyfer as Wynn
Steven R McQueen as Kelven
Ian McKellen as Granda Luis
Bryce Dallas Howard as Ma

See all their pics on my Pinterest site http://pinterest.com/christinamercer/arrow-of-the-mist-book-character-look-a-likes/

What is the one-sentence synopsis of your book?

Enchanted, barbed roots attack 15-year-old Lia’s father and other woodsmen in the Celtic inspired kingdom of Nemetona, impelling Lia to trek into the forbidden land from where the roots originate and seek out the cure.

How long did it take you to write the first draft of your manuscript?

I worked on the novel off and on for three years before I got serious and joined my first critique group. And then the massive rewrites began. Fast forward another year and a half and I entered it into the Amazon Breakout Novel Award contest where it made the semi-finals!

What other stories would you compare this book to in your genre?

This is a hard one. The story is set in a sort of “fairy tale” ancient Ireland, and the magic at play draws from both Celtic and Norse mythology. The medieval-fantasy world could perhaps be compared to the worlds of the Ropemaker and Graceling.

Who or what inspired you to write this book?

A lifetime love for all things fantasy, a passion to write, an inner child that won’t quit daydreaming, a solid belief in unicorns, and the magic my sons bring to my life each and every day.

What else about your book might pique the reader’s interest?

In addition to a few ever-cool tropes us fantasy nerds are familiar with, my story delves into Celtic tree lore in a way I’ve not yet seen done. The pages are steeped in ancient tree magic and herb crafts. Lia’s journey actually parallels the Old Irish Ogham alphabet where each letter pertains to a tree, starting with the Birch or Beth which signifies the beginning of a quest and ending with the Yew or Idho which denotes death and rebirth.

Christina’s book launches on the Spring Equinox: March 21st.

www.ChristinaMercer.com

www.indie-visible.com/books/ 

10 Reasons Why Writing is Good For You

Last year one of my most viewed posts was this simple list reminding writers who find themselves discouraged, stuck or otherwise, that there are very good reasons to keep writing beyond the big Pie in the Sky of publishing. I thought I’d pull it back out as a reminder to you:

  1. Creativity has been proven to have positive effects on health, self-esteem and vitality
  2. Writing is good for your brain, creates a state similar to meditation
  3. Writing hones your powers of observation, giving you a fuller experience of life
  4. Writing hones your powers of concentration and attention, which is more fractured than ever thanks to technology and TV
  5. Writing connects you with others through blogging, writing groups, live readings, and self-publishing outlets like Scribd and Smashwords.
  6. Through writing we preserve stories and memories that may otherwise be lost
  7. Writing entertains you and others, and having fun is an important part of good health
  8. Writing strengthens your imagination, and imagination is key to feeling hope and joy
  9. Writing helps heal and process wounds and grief, clearing them out
  10. Life is too short not to do what you enjoy

Comment here with your own reasons why, and my favorite will win a free digital copy of Forged in Grace.

The Only Advice Worth Giving

by Jordan E. Rosenfeld

“The Idea” shows up inside my head like a gift on Christmas morning, delivered with such immediacy it leaves me breathless—Wile E. Coyote’s nemesis couldn’t have dropped a more potent anvil on my head. It is perfect. So perfect. I want to inspect all its fingers and toes to be sure it’s real. If I’m lucky enough to receive it during waking hours, I carry it with great care, taking small, non-jolting steps, for it’s made of something like smoke and butterfly tears and can flee at the first tremor, to the writing desk.

I open the page. I uncap the pen. I begin to set it down in tiny ribbons of ink that feel a little bit like blood, in a good way—the way it must have felt when barbers of old bled the demons out of your veins, when the crimson pooling in a ceramic bowl promised redemption, health, freedom.

An alarming thing happens.

A puny, sickly, half-formed version of this beautiful creature burps out onto the page, sticky and weak and so much less than I hoped that I’m half-ashamed, half-terrified of what I’ve created. But it’s mine. I am its mother and I will have to nurture it, or usher it back to the void.

I am a novelist, primarily. I used to write short stories—the emphasis on my MFA program was certainly the story, for practical reasons. And then, suddenly one day, I stopped writing them. I realized they had been sprints for the marathon of novel writing, flexing and pushing my writing centers toward those long, cold journeys into the heart of a story, offering transformation.

Over the years I’ve learned that the early idea for a novel is always this malformed creation; things worth writing do not come out in whole cloth, fully formed. They get there in stages, much like children, developing with proper attention, sweat and time.

The only way I have learned to tolerate this first, strange, half-formed stage of the writing process, is to practice, through countless revisions, the equally fascinating process of seeing The Idea take shape, thickening, vivifying, with work and commitment and love. Sometimes it requires time away so that I can come back to it with objective eyes. Sometimes it needs the feedback of others (most of the time), and other times, it just needs a steady slogging, a forward persistence.

I have eternal empathy for those writers who come to me in classes, and as editing clients, crying about how frustrated they are with their first, even second or third, half-hearted attempts. And the best advice, the only advice, worth giving is simply: revise, revise, revise. Pump it full of lyric steroids; imbue it with superheroic talents; hack away its crisp and unneeded edges until you have something that pulses with life, that resembles the perfection born in your mind, a promise of what you would be able to write if you just keep at it.

 

Guest Blog: Rachel Thompson on Taking No Shortcuts

Taking No Shortcuts: 3 Top Challenges Nonfiction Writers Face

By Rachel Thompson

Rachel Thompson

Write something you’d never show your mother or father ~ Lorrie Moore, author.

As a nonfiction essayist, I basically write short stories that are not stories in the classical sense; they’re more my views on the experiences I’ve had or observed in others. I’ve been writing all types of pieces since I was a child, but now I mostly write short stories, journals, or articles (though I am working on an literary erotica anthology and a new work of fiction). Writing nonfiction comes easy to me.

There are three basic challenges I face in this genre:

  1. Most people love fiction (me, too!)
  2. Criticism for sharing intimate moments
  3. Marketing issues

Let’s deconstruct.

Fiction: Most readers are looking for an escape. Why do you think Romance is the number one selling genre? It’s like Disney all grown up, with sex and stuff.

As a nonfiction writer, I still get to write about that stuff (if I choose), but getting people to look at my books can be a real challenge, when what they’re really after is the next Fifty Shades of Whatever.

On the other hand, there have never been as many blogs as there are now – that says something very intriguing to me about what people want to read. We DO want real stories; we DO want real characters; we DO relate to universal truths.

Which leads me to my next point…

Criticism: When I wrote my first book A Walk In The Snark, I wanted to show the arc of comedy to tragedy. I never planned the book to be all humor–just more my take on different life situations; but then it just so happened during the writing of it an ex-lover tragically killed himself. I used my writing as a way to express the shock and grief I felt over his death. Always a survivor, the word took on a decidedly different meaning after that.

I expect people to not like my work, because these are my experiences, opinions, and books, right? Not to take away from the many people who loved it (and reached out to me privately as survivors themselves); to have touched them in a way that made them both laugh and cry is extraordinarily meaningful to me.

And yet…some people felt I exploited his death for sympathy, to sell more books, to make more money. And they are certainly entitled to think that. And that’s okay. But I think, for any nonfiction writer, we have to know that people will object to our content, particularly if their values are different. A nonfiction writer, or any writer really, needs to know that people will have opinions about our truth.

This is when it’s most important to remember your vision. This is your work. Own it. Never write thinking, ‘What will someone say?’ Nothing can kill inspiration quicker.

(Interestingly, my current book, Broken Pieces, is not humor at all. It’s about the arc, if you will, many women (including me) experience as we grow: fear, desire, love, loss, grief, and then, trust and deeper love.)

Marketing: You’d think that marketing nonfiction books would be easier than fiction, but I find it difficult at times (and I’m a marketer, too!). In fiction, you have characters and a story line people latch onto. In nonfiction, I basically become the main character by default; ergo, everything I say and do creates a persona that people assume is real. For example, I mention Prada shoes in my book as a literary device for something women desire, which people instead, took quite literally.

Again, that’s okay. I’m not here to defend myself to anyone. My point is that finding my brand, understanding what naturally drives and interests me, is what I endeavor to convey to people. And sometimes I fail, clearly. But when you’re marketing your books about personal experiences, it can be hard to be objective.

That’s why I recommend every writer have critique partners, a great editor, proofreader, graphic artist, and formatter (unless you know how to do that), and of course, betareaders.

Allow people to help you through these challenges. In the end, we’re all better off for it.

Engage in the difficult work – I’m not saying take shortcuts because letting others help you takes courage and last time I checked, asking for feedback is never, ever easy.

In good work, there are no shortcuts.

 

Girls, a (Dark) Love Story

When I first began writing FORGED IN GRACE, or rather, when the character of Marly whispered in my ear while I stoked a fire in a little cabin overlooking a wild river, I knew right away this would be a story about female friends. I didn’t know it would be a dark exploration, but when all was said and done, I continue to think of this novel as a “dark love story of friendship.” That is to say, it’s a story that celebrates the powerful bonds that young girls forge with one another as they act as surrogates to each other for the mature relationships that will come down the road.

I’ve been fortunate to have a lot of friends in my life, but as a girl, I only had one best friend: Sacha. The tried-and-true bestie who was part sister, part romantic stand-in, part keeper of secrets. She could make me feel good or break my heart all in the same day. She was an athlete to my bookworm, daring and brave where I was timid. She came from a loud family with brothers and two European parents. I was a latch-key kid from a “broken” home with two hippie parents.

Like Grace does Marly in the novel, I adored and was slightly in awe of Sacha. She bounced back from sleights while I wilted. She took the world head on, while I crept at it from the shadows. We fought, sometimes for days, but always came back together. Not until high school—though Sacha was a year older than I was—did a wedge come between us, and that wedge was, natch, another girl, named Shawna. A prettier, more sophisticated, worldly girl than me who didn’t use “too big” words and needed to wear a bra. Quickly I became replaced. It was a theme that would repeat in my life as part of the messy geometry of friendship. A theme that seems to happen to so many girls, teaching the painful lesson of jealousy and self-esteem, of loyalty and betrayal.

In FORGED IN GRACE, Grace has an unhealthy bond with the bold, beautiful Marly. Grace wants what Marly seems to have. And yet Marly is all pretense and façade. Her external world hides the darkness she keeps tucked away. What Grace thinks she wants, Marly may not actually have, and vice versa. It’s up to Grace to realize her own talents and power in order to come to see the friendship for what it was, and is. A lesson many girls can use.

Many of my favorite books and movies about dark female friendships touch upon an overt or indirect sexuality between the girls. As an adult I can see now that most of these friendships are not, explicitly, sexual—barring those that really are, of course, and that’s not what I’m talking about in this piece—but rather girls, with their fluid and often early developed emotional lives, need to start exercising these feelings before the boys get around to it. They test them on each other, for better or worse. They project things onto one another that will someday be meant for their mates. In the best of scenarios, they forge life-long friendships; in others, jealousy and competition draw them apart.

As an adult, lucky to have a circle of dear, trusted women friends with whom I can talk honestly and show my dark and messy sides, I now look back on the friends of my youth with a clearer eye.  It was my girlfriends upon whom I first tested the strategies of what would someday become my grown-up relationships. Like Grace, those early friendships are important artifacts that reveal precious information to me about myself.

 

Grace, What’s in a Name. Guest post by Becca Lawton

Who doesn’t love the name Grace? It was bestowed at birth on the incomparable Grace Kelly. It rings out in the moving English hymn that everyone, amazingly, seems to know. It carries a sense of ease—indeed, its first definition in the American Heritage Dictionary is “seemingly effortless beauty or charm.” A secondary meaning is “a virtue or gift coming from God,” rendering grace divine as well. Grace derives from the Latin gratia—“favor, thanks”—and the Sanskrit grnati (“he praises”). Therefore the very name Grace cobbles up splendid emotions and big shoes to fill.

Grace is the name of Jordan’s protagonist in her debut novel, Forged in Grace. The label conjures both origin and destiny for the sweet-natured Grace Jensen. She is empathetic in the extreme, not only graced by her name but also saddled with it, as her extreme empathy sets her about her incredibly demanding life’s work.

Grace’s gifts were forged in a demon fire from which she emerged chastened and changed. The fire (and you must read the novel to get the details) leaves her scarred and highly sensitized to the pain of anyone she touches. She’s not only wounded but blessed with the power to heal. How fitting that this lovely character with the virtuous name chooses to use her talent for the good of others. How gracious and graceful that she turns toward the silver lining of her horrific scarring. How much we root for her, and in our rooting learn empathy for those around her, people we might otherwise judge, dismiss, or shun.

Both author and character seem born to their gifts of understanding, and they wear them well. As Jordan has said in an Indie-Visible interview about Forged in Grace, the extreme empathy she shares with Grace leads both of them to identify so strongly with the pain of others that they “sometimes can’t figure out where their own pain begins/ends.” Jordan admits that extreme empathizers have trouble, too, letting go their own struggles as they involve themselves in the struggles of others. “Unless we learn new strategies,” she says, “we’re screwed.”

Grace, and her author, are people whose lives are large enough to bring love to the lives of others. There’s empathy not just in the protagonist and her creator but also in every page of the book. Grace could have been screwed, as Jordan has said, but she finds love and her livelihood rooting for others. We in turn root for both Grace and Jordan for the healing they can bring our world.

Forged in Grace reminds me that fire is monumentally healing and cleansing. It anneals. It transforms. It kills or cleanses and often does both. Grace, the character, embodies everything good about fire. She has to journey to reach her place of understanding, but who among us does not? I won’t say this story has a happy ending—I won’t reveal that much. But I will say that Grace lives up to her name, and, as readers, our empathy for her goes on and on.

***

Rebecca Lawton is an author and naturalist whose essays, poems, and stories have been published in Orion, Sierra, The San Francisco Chronicle Magazine, Shenandoah, Standing Wave, THEMA, the acorn, More, and other magazines.  She has received the Ellen Meloy Fund Award for Desert Writers, the Redwood Writers Award for Poetry, and other honors.  She has been nominated for three Pushcart Prizes—in fiction, nonfiction, and poetry.

Becca was among the first women whitewater guides on the Colorado River in Grand Canyon and on other runs around the West. Her essay collection on rivers and the guiding culture, Reading Water: Lessons from the River (Capital), was a San Francisco ChronicleBestseller and ForeWord Nature Book of the Year finalist.

Her novel, Junction, Utah, is represented by Sally van Haitsma of van Haitsma Literaryand is available as an original e-book.

Currently she is collaborating with Geoff Fricker, photographer, on a book about the Sacramento River and California water projects for Heyday Books.   Sacrament will be released in late 2013. She is also writing a short story collection, What I Never Told You: Stories on Water.

PUBLICATION DAY for FORGED IN GRACE!!

At long last, FORGED IN GRACE is now available in just about every format, save for stone tablet, including local, independent bookstores. Today is the release of the print copy, but you can also purchase a copy for your Kobo, Nook, Kindle, or through iBooks (via Smashwords). 

It has been a seven year journey from start of this project to its publication, and so many people have helped me along the way. Some of the things I’ve learned in this journey are: always ask for help; don’t be afraid to go deeper; kill your darlings; writers are kind, generous people, and so are readers!

I can’t thank you all enough for your support. I look forward to many deep discussions!

Today there is no Question of the Day. The first five people to tell me they purchased Forged in Grace will receive a free copy, of your choice, of either my writing guide Make a Scene, or my creativity guide (with Rebecca Lawton): Write Free.

With love

Jordan